My Day with Joe

Mark Fidrych by Joe McNally
Having signed up as soon as the class was announced, THREE MONTHS ago, I painfully waited as the days counted down to Joe McNally’s Location Lighting seminar. I have long admired Joe’s work in ESPN and National Geographic and have read the Momement It Clicks and The Hotshoe Diaries more than a dozen times constantly gleaning new insights. The day finally arrived. I drove a hour and a half to the Sacramento Convention Center and expected to enter a group setting of about 75 rabid photographers…WRONG. There was Joe onstage in a room bigger than a freshman English class. With about 400 attendees, all hopes of getting my multitude of questions answered seemed slim but the East Coaster in me said, “Hey! We drove all this way and we are gonna get our questions answered!”
Seven hours later I left having learned many new things that I intend to put into practice immediately. My shopping list includes:
- Gitzo G065 13 x 15.5-Inch Monitor Platform for holding my MacBook at eye level and without fear of falling to its death
- Manfrotto Double Head Support – Black (#3153B) for supporting the above on one side and my camera on the other…VERY COOL!
- Intertape 5638 Gaffers Tape 1.87-Inches x 60-Yards, Black instead of duct tape because if I was removing the latter tape and the wall paint came with it, my day would suck no matter how good the picture
- Lastolite LL LR81243 Medium Standard Skylite Kit long overdue necessity for shooting outdoors in an area that will not see another cloud until September
- Avenger AW GS202 25lbs Cordura Sand Bag Filled with Sand because my ankle weights are too light and well…ankle weights.
These items will join what I consider my kit’s best bets…

Joe McNally and Me
- Sanyo Eneloop 8 Pack AA NiMH Pre-Charged Rechargeable Batteries they come pre-charged, last longer and produce consistent power,
- Peak 4x Pro Focusing Magnifier Loupe with Neck Cord Looking at your LCD screen can lead you to believe a soft image is actually sharp if you can see the thing at all in bright sunlight. Looking at the screen with my Loupe is the only way I will dismiss the subject and leave the site,
- Manfrotto 222 Joystick Head – Replaces 3265 I know many are ball head and gimble fanatics, but I am an 80’s Atari kid and this joystick seems more natural, easier to use and does not allow my camera to take a header like a loose ball head does,
- Giottos LC325 10.7′ 4-Section Air-cushioned Light Stand makes the days of watching your gear plummet to the earth and then pinch your skin in excruciating pain a thing of the past,
- Bamboo (Small) Pen Tablet with Pen Only for tossing in my backpack and editing at Starbucks around the country.
Most importantly Joe discussed light and it’s relationship to subject and mood in a way that really made me re-think my approach. I believe it will fundamentally change my work…we shall see.
This entry was posted on Saturday, May 8th, 2010 at 12:28 AM. It is filed under Blog, Equipment, Photo Business.
You can follow any responses to this entry through the RSS 2.0 feed.
Nice post. Good to see you continually studying your craft. Go Dave Go! Go Dave Go!
johno
Hi Dave, I came across your site and work via Nechelle Turner, whom I have worked with on a shoot I had.
I too LOVE Joe McNally, he, Scott Kelby and the crew have taught me so much more of the digital side of photography, I just LOVE them! Not only are they so friggen talented, but they are so friggen anxious to teach us ALL the way.
I have to agree with Scott Kelby when he says these guys are literally stuffing money into our pockets! Love your shopping list, still working on mine, but this year was geared for education.
Glad to see you love Joe as much as my husband and I, we had a blast last year at the Lighting Seminar. Great work, keep it up!
Cheers! And looking forward to meeting you one day soon.
@JohnO Thanks Buddy…you set a great examply
@Barbara Thank you for your comments and enthusiasm. We live in a golden age of photography! Hope to meet you soon also…ALL THE BEST.
Attended the class is Sacramento also. Just ran across your sight and really like your work. Perhaps I’ll see you at the next class. HAve recently been contemplating the 70-200 for portrait work. Right now i’m using the 24-70 and a 50 prime. How do you utlilize the 70-200?
Thank you Barbara… Loved the sailor shoot on you website
Thank you for the comment. I was really hoping the Joe session would be more intimate and would pay more for that level of interaction. I own the 70-200 but rarely use it for portrait work. I use it almost exclusively for telephoto (sports, etc) and fashion work (where it compresses the image and creates the least amount of distortion along the frame edges.) Maybe I should turn this into a post?